All noises produced and recorded by D.D. at The Pleasure
Dome,Paris, during 2005-2007.
No synths used, no drums, no percussion, no guitars, just basses.
LOW Vol 1 Music SamplesPreviewsome tracks from DedeLand/Exodo's new release: Low Volume 1
Click on the control (MP3 player) to activate, then click play
.
No synths used, no drums, no percussion, no guitars, just basses.
For streaming playback of the entire album (and legal MP3 downloads as
well) please check out Daniel Diaz's We7 page
just click
here.
for Low Vol 1 full track list.
DanielDíazBasses
Bajos
Baixos
Bassi
Bässe μπάσα
Bassen Басы
Basser 男低音
Baser 低音
باس בַּטְנוּן bas
ทุ้ม
>VALS POLACO vals 3:47
Recorded Tracks :
Larrivée Acoustic (basic track)
Upright Bass: Bass part.
Steinberger Electric Bass: melody left channel.
Sekine Fretless: Melody Right Channel, Harmonics.
Steinberger Electric Bass: Volume pedal harmony.
A tribute for both Frédéric Chopin and the great tango composers that
took Chopin waltzes as inspiration for many 3/4 tango classics (most notably
HectorStamponi)
>LA BAJA chacarera
6:35
Recorded Tracks :
Field recording (ambience): Street noises in Paris 2003 (and rhythmic loop
with those noises).
Steinberger Electric Bass: percussion groove (2tracks L/R).
Riverhead “Low” Bass: Basic groove and coda solo.
Steinberger Electric Bass: Melodies with
auto-wha.
Steinberger Electric Bass: volume pedal background pad.
Steinberger Electric Bass: distorition background.
Sekine Fretless: Double tracked (L/R) melodies.
Mixdown FXs: delay and reverb.
First song recorded for this project. A quite traditional
chacarera
, respecting not just the customary
chacarera rhythm, but also it's structure and parts: introduction, verse,
chorus.
The "bombo" pattern isplayed with a muted electric bass. The solo
over the coda's vamp
features one of my accidental discoveries: my 4 string Riverhead
with "floppy strings"...
>ZAMBA DESILUCION
4:00
Recorded Tracks : L'arrivée 5 string acoustic bass, solo performance @ The Pleasure Dome ParisJune14th, 2007
around midnight.
Traditional zamba (Rhythm and dance from
Argentina's folklore), traditional in its fixed structure of:
Introduction+12 bar theme+12 bar theme+12 bar chorus, the whole
played twice.
My very last composition sad and passionate...
>PASTORALPALOMA
4:40
Recorded Tracks : L'arrivée 5 string acoustic bass, solo performance @ The Pleasure Dome Paris
March 3rd, 2007
A more classical piece (no improvisation
throughout)
written in Nantes, France, in
february 2005..
>ABSTRACT N°33:02
Recorded Tracks :
Steinberger Electric Bass: Tapping Basic part w/flanger pedal.
Steinberger Electric Bass: distortion+step fx track.
Steinberger Electric Bass: Volume Pedal (ending).
Sekine Fretless Bass Guitar: melody+armonics
Sekine Fretless Bass Guitar: melody+armonics (double tracked harmony).
Schecter Jazz Bass w/black nylon strings: groove.
Mixdown FXs: EQ, delay (2), panner, and reverb.
One of my improvised multi track "sonic etudes".
Abstract, as its title clearly states, just a mood and different
sounds layered together.
>FAREWEL
unaccompanied acoustic bass
4:12
Recorded Tracks :
Michael Kelly Dragonfly solo performance @ The Pleasure Dome Paris
December 4th 2006.
A heart felt tribute to the late great
Michael Brecker. This song was inspired by his battle with leukaemia,
and a comment I heard that he was probably going to pass
away quite soon.
After listening again to one of his (so many) great solos, I confirmed that the
over used cliché "a great artist never dies, he lives in his art and legacy"
was absolutely true. When I composed and recorded this track Brecker
was still fighting and this was a melancholic yet hopeful thought
about him.
Eventually he passed away much too young a month after this track's
recording.